Only the difference between hope and despair in the end, between two totally different visions of life; between “chance or the dance”. At death we find out which vision is true: does it all go down the drain in the end, or are all the loose threads finally tied together into a gloriously perfect tapestry? Do the tangled paths through the forest of life lead to the golden castle or over the cliff and into the abyss? Is death a door or a hole?
To medieval Christendom, it was the world beyond the world that made all the difference in the world to this world. The Heaven beyond the sun made the earth “under the sun” something more than “vanity of vanities”. Earth was Heaven’s womb, Heaven’s nursery, Heaven’s dress rehearsal. Heaven was the meaning of the earth. Nietzsche had not yet popularized the serpent’s tempting alternative: “You are the meaning of the earth.” Kant had not yet disseminated “the poison of subjectivism” by his “Copernican revolution in philosophy”, in which the human mind does not discover truth but makes it, like the divine mind. Descartes had not yet replaced the divine I AM with the human “I think, therefore I am” as the “Archimedean point“, had not yet replaced theocentrism with anthropocentrism. Medieval man was still his Father’s child, however prodigal, and his world was meaningful because it was “my Father’s world” and he believed his Father’s promise to take him home after death.